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Paul Mescal and Pedro Pascal on the intense physical demands of Gladiator II: ‘My Irish blood doesn’t function’

It may be all in a day’s work for pros like Paul Mescal and Pedro Pascal, but becoming a warrior in Gladiator II was still an uphill, ahem, battle. So much so that both stars separately told Entertainment Weekly it was the most physically demanding shoot they’d ever experienced.

The highly anticipated follow-up to Ridley Scott‘s 2000 epic starring Russell Crowe, Gladiator II follows Mescal’s Lucius after he’s captured from his home in Numidia — where his mother had sent him for protection — by Pascal’s General Acacius and taken back to Rome, where he seeks revenge.

As the film’s main protagonist and gladiator, Lucius sees the most battles both in and out of the arena, facing off against vicious baboons, rhinos, and even sharks, not to mention his human opponents. As Rome’s head general, Acacius also gets his fair share of action, even fighting Lucius at one point.

Mescal says his favorite confrontation is the film’s final battle, the details of which shall not be spoiled here, “but the most challenging and physically the toughest was the fight with the gladiator who comes off the rhino.”

Watch Gladiator II‘s Paul Mescal and Pedro Pascal debate who’s the better warrior: ‘Do you want us to fight?’

The rhino wasn’t the issue — the crew made a 3D print of a rhino that was controlled by a radio remote control. But the weather and shooting schedule was a different beast entirely.

“We shot that for about two or three days, but the heat was justâ€Ķ. My Irish blood does not function with Ridley’s shooting schedule, which is like sun up to sun down, hottest parts of the day,” Mescal, 28, adds with a laugh. “It was brutal, the fight. I grew up playing sports, so I would consider myself pretty robust and happy to throw myself around, but it was just the [arena] itself became like a radiator. I was borderline throwing up, irritable, just hardcore. Between takes, I was firing ice straight down my back.”

It’s the first big action epic of Mescal’s career, so perhaps it’s no surprise it was the most physical role he’s had to date. But Pascal has titles like The Mandalorian, Game of Thrones, The Last of Us, and Wonder Woman 1984 under his belt, so it is a bit more surprising to hear him admit that Gladiator II was his most physically challenging role yet.

“I’m getting up there, or I’m not getting up there; I am up there. I’m looking down from up there,” Pascal, 49, jokes. “And a lot of work has been really physical, and it really kind of takes its toll. And this definitely became the most physical and the most exciting, and I loved that, but it was more challenging than it’s ever been for me. And so I would say that the action [was the hardest part of making the film].”

Still, it gives Pascal something new to (jokingly) brag about: “The distinguishing and incomparable aspect of the whole experience would be getting my ass kicked by Paul Mescal. Elder abuse, we call it.”

For Mescal, all the hard work and ass-kicking was absolutely worth it. “I loved how distinct the fights are from each other, and what I’m really proud of is how you can feel the cumulation of the violence on his body as the film progresses,” he says. “The fights aren’t like slick swordplay. You can feel towards the end what Lucius says — it’s about survival. It’s like your body’s going to accumulate all this punishment. And it’s about holding onto that as the film progresses. And I think it’s much more interesting to see somebody who psychologically has an aptitude for survival rather than somebody who’s innately skilled. And I think Lucius just has a dog in him that will perpetually survive environments that other people shouldn’t. So I’m proud of them all in different ways.”

Lauren Huff

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āļ„āđˆāļģāļ„āļ·āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ‚āļĨāļāļ­āļ­āļĨāļŠāļ•āļēāļĢāđŒāļŠ 2026 (Global Fashion Week All Stars 2026 – GFWAS 2026) āļ āļēāļĒāđƒāļ•āđ‰āļ˜āļĩāļĄ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ€āļĒāļēāļ§āļŠāļ™āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ (Global Junior Fashion Week) āđ„āļ”āđ‰āļ›āļīāļ”āļ‰āļēāļāļĨāļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒ āļ“ āļĻāļđāļ™āļĒāđŒāļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđ€āļ§āļĩāļĒāļ”āļ™āļēāļĄ (Vietnam Exhibition Center – VEC) āļāļĢāļļāļ‡āļŪāļēāļ™āļ­āļĒ āļ‡āļēāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļĢāļ§āļšāļĢāļ§āļĄāđāļšāļĢāļ™āļ”āđŒāđāļŸāļŠāļąāđˆāļ™āļŠāļąāđ‰āļ™āļ™āļģāļˆāļēāļāļ™āļēāļ™āļēāļ›āļĢāļ°āđ€āļ—āļĻ āļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāļ™āļēāļĒāđāļšāļšāđāļĨāļ°āļ™āļēāļ‡āđāļšāļšāđ€āļ”āđ‡āļāļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļĄāļĩāļĻāļąāļāļĒāļ āļēāļžāļˆāļēāļāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ›āļĢāļ°āđ€āļ—āļĻ āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™ āđ€āļˆāļīāđˆāļ™ āļ”āļąāđˆāļĒ āļāļ§āļēāļ‡ āļŦāļĢāļ·āļ­ āđ€āļšāļĨāļĨāđŒ (Bell) āļ§āļąāļĒ 5 āļ›āļĩ āļ›āļĢāļēāļāļāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļŠāļģāļ„āļąāļāļŦāļĨāļēāļĒāļŠāđˆāļ§āļ‡āļ‚āļ­āļ‡āļ‡āļēāļ™ āļžāļĢāđ‰āļ­āļĄāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļœāđˆāļēāļ™āđāļ•āđˆāļĨāļ°āļ„āļ­āļĨāđ€āļĨāļāļŠāļąāļ™ āđāļĨāļ°āļ•āļ­āļāļĒāđ‰āļģāļĻāļąāļāļĒāļ āļēāļžāļ‚āļ­āļ‡āđ€āļ‚āļēāļšāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļĻāļīāļĨāļ›āļ°āđƒāļ™āļ­āļ™āļēāļ„āļ•. āđ€āļ§āļ—āļĩāđ€āļ›āļīāļ”āļ‡āļēāļ™āļ­āļąāļ™āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆ āļžāļĢāđ‰āļ­āļĄāļŠāļēāļĢāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļ„āđˆāļģāļ„āļ·āļ™āđāļŦāđˆāļ‡āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‰āļēāļāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļ­āļĒāđˆāļēāļ‡āļ›āļĢāļ°āļ“āļĩāļ•āđƒāļ™āļŠāļ·āđˆāļ­ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļĢāļąāļšāđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļāļ„āļ§āļēāļĄāļĢāļąāļ āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™...

āđ‚āļ‹āļŸāļĩ āđ€āļŦāļĄāļīāļ™ āļāļĩ āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļœāļđāđ‰āļŠāļ‡āđˆāļēāļ‡āļēāļĄāđƒāļ™āļŠāļļāļ”āļŠāļĩāļ—āļ­āļ‡āļˆāļēāļ BADBISS

āļ‡āļēāļ™ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ‚āļĨāļāļ­āļ­āļĨāļŠāļ•āļēāļĢāđŒāļŠ 2026 (Global Fashion Week All Stars 2026 – GFWAS 2026) āđ„āļ”āđ‰āļĢāļ§āļšāļĢāļ§āļĄāļ™āļēāļ‡āđāļšāļšāđāļĨāļ°āļ™āļēāļĒāđāļšāļšāļ™āļąāļšāļĢāđ‰āļ­āļĒāļ„āļ™ āļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāđāļšāļĢāļ™āļ”āđŒāđāļŸāļŠāļąāđˆāļ™āļŠāļąāđ‰āļ™āļ™āļģāļĄāļēāļāļĄāļēāļĒ āļ•āļ­āļāļĒāđ‰āļģāļŠāļ–āļēāļ™āļ°āļ‚āļ­āļ‡āđ€āļ§āļ—āļĩāļĻāļīāļĨāļ›āļ°āđāļĨāļ°āđāļŸāļŠāļąāđˆāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđƒāļ™āļ„āđˆāļģāļ„āļ·āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ§āļąāļ™āļ—āļĩāđˆ 1 āļŠāļīāļ‡āļŦāļēāļ„āļĄ āļāļēāļĢāļ›āļĢāļēāļāļāļ•āļąāļ§āļ‚āļ­āļ‡ āđ‚āļ‹āļŸāļĩ āđ€āļŦāļĄāļīāļ™ āļāļĩ āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™ āđ„āļ”āđ‰āļ™āļģāļ„āļ§āļēāļĄāļŠāļ”āđƒāļŠāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļĄāļēāļŠāļđāđˆāđ€āļ§āļ—āļĩ āđ€āļ˜āļ­āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ›āļīāļ”āļāļēāļĢāđāļŠāļ”āļ‡āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āđāļĨāļ°āđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļ­āļĒāđˆāļēāļ‡āļĄāļąāđˆāļ™āđƒāļˆāļšāļ™āļĢāļąāļ™āđ€āļ§āļĒāđŒāļāļĨāļēāļ‡āđƒāļ™āļŠāļļāļ”āļŠāļļāļ”āļŦāļĢāļđāļˆāļēāļāđāļšāļĢāļ™āļ”āđŒ BADBISS. āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‡āļēāļ™āļ­āļąāļ™āđ€āļ›āļĩāđˆāļĒāļĄāļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒ āļ–āđˆāļēāļĒāļ—āļ­āļ”āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļ„āđˆāļģāļ„āļ·āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āđ€āļ›āļīāļ”āļ‰āļēāļāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āđƒāļ™āļŠāļ·āđˆāļ­ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‹āļķāđˆāļ‡āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļēāļĢāļ­āļąāļ™āļĨāļķāļāļ‹āļķāđ‰āļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ„āļ§āļēāļĄāļĢāļąāļ āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™ āđāļĨāļ°āļŠāļēāļĒāđƒāļĒāđāļŦāđˆāļ‡āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļšāļ—āļšāļĢāļĢāļĒāļēāļĒāļŠāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļē āļ—āļļāļāļĒāđˆāļēāļ‡āļāđ‰āļēāļ§āļ‚āļ­āļ‡āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āļ‚āļ­āļ‡āđ€āļ”āđ‡āļ āđ† āļĨāđ‰āļ§āļ™āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļŦāļĨāđˆāļ­āđ€āļĨāļĩāđ‰āļĒāļ‡āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļĄāļąāđˆāļ™āđāļĨāļ°āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļˆāļēāļāļ„āļ™āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āđ€āļ§āļ—āļĩāđāļŸāļŠāļąāđˆāļ™āļˆāļķāļ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļ„āļ™āļ•āđˆāļēāļ‡āļ§āļąāļĒāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āļ—āļĩāđˆāļ‹āļķāđˆāļ‡āļ—āļļāļāļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāđāļŦāđˆāļ‡āļāļēāļĢāđāļšāđˆāļ‡āļ›āļąāļ™āđ„āļ”āđ‰āļŠāđˆāļ‡āļ•āđˆāļ­āļāļģāļĨāļąāļ‡āđƒāļˆāđƒāļŦāđ‰āļ—āļļāļāļ„āļ§āļēāļĄāļāļąāļ™āđ€āļ•āļīāļšāđ‚āļ•āđāļĨāļ°āđ‚āļšāļĒāļšāļīāļ™āđ„āļāļĨ. āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‡āļēāļ™āļŠāļļāļ”āļžāļīāđ€āļĻāļĐāļ™āļĩāđ‰ āđ‚āļ‹āļŸāļĩ āđ€āļŦāļĄāļīāļ™ āļāļĩ āļāđ‰āļēāļ§āđ€āļ”āļīāļ™āļšāļ™āđāļ„āļ•āļ§āļ­āļĨāđŒāļāđ€āļ„āļĩāļĒāļ‡āļ‚āđ‰āļēāļ‡āļ„āļ“āļ°āļ™āļąāļāđ€āļ•āđ‰āļ™āļˆāļēāļ āļŠāļĄāļĢāļĄāđāļŠāļ‡āļ­āļĢāļļāļ“ āđāļĄāđ‰āđ€āļ˜āļ­āļˆāļ°āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ”āđˆāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļāļēāļĢāđāļŠāļ”āļ‡ āđāļ•āđˆāđ€āļ˜āļ­āļāļĨāļąāļšāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™āļāļąāļšāļāļēāļĢāđ€āļ”āļīāļ™āđāļšāļšāļ­āļĒāđˆāļēāļ‡āļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāļĄāļēāļāļāļ§āđˆāļēāļāļēāļĢāđāļŠāļ”āļ‡āļ—āđˆāļēāđ€āļ•āđ‰āļ™ āļŠāļĩāļŦāļ™āđ‰āļēāļ—āļĩāđˆāļŠāļļāļ‚āļļāļĄāđāļĨāļ°āļ”āļ§āļ‡āļ•āļēāļ—āļĩāđˆāđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļ—āļģāđƒāļŦāđ‰āļ™āļēāļ‡āđāļšāļšāđ€āļ”āđ‡āļāļ§āļąāļĒ...

āļ­āļēāļĨāļĩāļ™āļēāđ€āļĨāđ‚āļŠāļ§āđŒāđ€āļŠāļ™āđˆāļŦāđŒāļ­āļąāļ™āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļœāđˆāļēāļ™āļŠāļ­āļ‡āļ„āļ­āļĨāđ€āļĨāļāļŠāļąāļ™āļ­āļąāļ™āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āđƒāļ™āļ‡āļēāļ™āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ‚āļĨāļāļ­āļ­āļĨāļŠāļ•āļēāļĢāđŒāļŠ 2026 (Global Fashion Week All Stars 2026 – GFWAS 2026)

āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ­āļąāļ™āļŠāļ‡āđˆāļēāļ‡āļēāļĄāļ‚āļ­āļ‡ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ€āļĒāļēāļ§āļŠāļ™āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ 2026 (Global Junior Fashion Week 2026) āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‡āļēāļ™āđƒāļ™āļŠāļļāāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ‰āļēāļāļ„āđˆāļģāļ„āļ·āļ™āđāļŦāđˆāļ‡āļĻāļīāļĨāļ›āļ°āđāļĨāļ°āđāļŸāļŠāļąāđˆāļ™āļ­āļąāļ™āđ€āļ›āļĩāđˆāļĒāļĄāļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒāļ“āļĻāļđāļ™āļĒāđŒāļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđ€āļ§āļĩāļĒāļ”āļ™āļēāļĄ (Vietnam Exhibition Center – VEC) āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™ āļ­āļēāļĨāļĩāļ™āļē āđ€āļĨ āļ›āļĢāļēāļāļāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āđ‚āļ”āļ”āđ€āļ”āđˆāļ™ āļ“ āļ•āļģāđāļŦāļ™āđˆāļ‡āļāļķāđˆāļ‡āļāļĨāļēāļ‡āđ€āļ§āļ—āļĩ āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļēāļĢāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļœāļđāļāļžāļąāļ™āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āļˆāļēāļāļ™āļąāđ‰āļ™ āļ™āļēāļ‡āđāļšāļšāđ€āļ”āđ‡āļāļĢāļēāļĒāļ™āļĩāđ‰āļĒāļąāļ‡āļ„āļ‡āļ„āļĢāļ­āļ‡āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļšāļ™āđāļ„āļ•āļ§āļ­āļĨāđŒāļāļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļœāđˆāļēāļ™āļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļœāļĨāļ‡āļēāļ™āļˆāļēāļāļŠāļ­āļ‡āđāļšāļĢāļ™āļ”āđŒāļŠāļąāđ‰āļ™āļ™āļģ āđ„āļ”āđ‰āđāļāđˆ BADBISS āđāļĨāļ° Sarang Hanbok āļšāļļāļ„āļĨāļīāļāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļĨāļ°āļ—āļąāļāļĐāļ°āļāļēāļĢāđ€āļ”āļīāļ™āđāļšāļšāļ­āļąāļ™āļĄāļąāđˆāļ™āđƒāļˆāļ‚āļ­āļ‡āđ€āļ”āđ‡āļāļŦāļāļīāļ‡āļ§āļąāļĒ 8 āļ›āļĩ āļ—āļģāđƒāļŦāđ‰āđ€āļ˜āļ­āļŠāļēāļĄāļēāļĢāļ–āļĢāļąāļāļĐāļēāđ€āļŠāļ™āđˆāļŦāđŒāđāļĨāļ°āļ”āļķāļ‡āļ”āļđāļ”āļ—āļļāļāļŠāļēāļĒāļ•āļēāļ•āļĨāļ­āļ”āļ—āļąāđ‰āļ‡āļ‡āļēāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄ. āđ€āļ›āļīāļ”āđ€āļ§āļ—āļĩāļ­āļĒāđˆāļēāļ‡āļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđƒāļ™āļŠāļļāļ”āļāļēāļĢāđāļŠāļ”āļ‡ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‡āļēāļ™āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āđƒāļ™āļŠāļ·āđˆāļ­ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‹āļķāđˆāļ‡āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļēāļĢāļ­āļąāļ™āļĨāļķāļāļ‹āļķāđ‰āļ‡āđ€āļžāļ·āđˆāļ­āđ€āļŠāļīāļ”āļŠāļđāļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āđāļĨāļ°āļ•āļ­āļāļĒāđ‰āļģāļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ„āļ™āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđƒāļ™āļāļēāļĢāļ„āļ­āļĒāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđāļĨāļ°āļŦāļĨāđˆāļ­āđ€āļĨāļĩāđ‰āļĒāļ‡āļ„āļ§āļēāļĄāļāļąāļ™āđƒāļ™āļ§āļąāļĒāđ€āļĒāļēāļ§āđŒ āļˆāļąāļ‡āļŦāļ§āļ°āļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļœāļŠāļēāļ™āđ€āļ‚āđ‰āļēāļāļąāļšāļāļēāļĢāđāļŠāļ”āļ‡āļ‚āļ­āļ‡āļ™āļąāļāđ€āļ•āđ‰āļ™āļˆāļēāļ āļŠāļĄāļĢāļĄāđāļŠāļ‡āļ­āļĢāļļāļ“ āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļšāļĢāļĢāļĒāļēāļāļēāļĻāđāļŦāđˆāļ‡āļĻāļīāļĨāļ›āļ°āļ—āļĩāđˆāļŠāļ‡āđˆāļēāļ‡āļēāļĄāđāļĨāļ°āđ€āļ›āļĩāđˆāļĒāļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ. āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™ āļ­āļēāļĨāļĩāļ™āļē āđ€āļĨ āļ›āļĢāļēāļāļāļ•āļąāļ§ āļ“ āļ•āļģāđāļŦāļ™āđˆāļ‡āļāļķāđˆāļ‡āļāļĨāļēāļ‡āđ€āļ§āļ—āļĩāđ€āļžāļ·āđˆāļ­āđ€āļ”āļīāļ™āđāļšāļšāđ€āļ›āļīāļ”āļāļēāļĢāđāļŠāļ”āļ‡...

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