HomeFashionThe Surreal Life of...

The Surreal Life of Hodakova

Apparently, Phoebe Philo is a hugger.

When Ellen Hodakova Larsson won this year’s LVMH Prize for her brand Hodakova, Philo, who was a jury member, ran up to her at the ceremony in Paris and embraced her warmly. “She was so proud and so happy. She’s just such a humble person,” Larsson explained over Zoom from her quiet, dimly-lit studio in Stockholm a few months after the announcement.

That day was a bit surreal for the soft-spoken, easy-going designer, not only because it marked a promising new chapter for her brand or because hers was the first Swedish label to be awarded the prize, but also because of the company she realized she now shares. “I was standing and chatting with Natalie Portman,” Larsson recalled of another moment at the ceremony. “Marc Jacobs came up to me and sort of pushed her aside a little to say ‘Oh, I can finally meet you!’ I’m so honored to be able to get that kind of a response from these people.”

Johnny Dufort
Ellen Hodakova Larsson

Advertisement – Continue Reading Below

The hype around Hodakova has been building for some time now. Larsson launched her label in 2021 and since then, she’s gotten on the radar of everyone from Philo to Jacobs to Kylie Jenner. This year, actresses Cate Blanchett and Greta Lee both made headlines wearing her designs—a top made of antique silver spoons and one made of old leather riding boots, respectively. In the fashion industry she’s become a total darling. Her fans love her for the way that she challenges the system with her transformative, trick-the-eye silhouettes, her love of found materials, and her reverence for craft.

Larsson’s designs are handmade in small quantities using upcycled fabrics and materials that she and her team acquire through special partnerships with independent makers. Her runway pieces call to mind the bucolic setting of her upbringing on a horse farm outside of Stockholm. A familiarfamiliar garment like an argyle sweater, for example, will be tweaked into the realm of the weird with the addition of a pencil skirt made entirely out of cross-woven belts.

Hodakova’s Spring 2025 collection, shown in Paris in September, featured the aforementioned look, along with a fringe dress made entirely from zippers and sheath tops made from linen dish cloths with red piping. Larsson might be considered a disciple of designers like Martin Margiela, Miguel Adrover, and Demna in her use of deconstructing and rebuilding with unexpected materials, but her vision is more quaint. It’s humble and warm, yet precise and uncompromising.

Nils Edstrom

Advertisement – Continue Reading Below

“I think I have quite a strong and clear vision of where I’m going,” Larsson said when I asked her how she was feeling about being thrust into the industry spotlight via her celebrity endorsements and her LVMH win. “I think it’s nice to have experts to talk with, but in general, I feel like I’m quite secure in the flow of my creation and knowing that I want to keep craftsmanship in the front room [of my business].”

Her fierce dedication to the integrity of craft was something she honed first during her childhood and later as a student studying sculpture and art at The Swedish School of Textiles. Larsson grew up with a mother who was a seamstress constantly reworking old pieces of clothing and decor around their home. Eventually, while in school, she realized that she was more interested in creating shapes and forms around the human body, rather than flat, lifeless surfaces.

Larsson is anti-trend but believes in the power of timeless garments, like the uniforms of her military father, which have always inspired her. If her sustainable approach to business feels like a rebellion against the current fashion system, so does her design process. “Everytime I create, my aim is to surprise myself,” she said. “If I don’t, then I don’t really want to include it because it doesn’t have the tension. And I think that’s super interesting to follow because that’s the magic of creating.” In other words, Hodakova doesn’t follow a formula, and yet Larsson has written her own language with clothes. Her designs are recognizable and not, surprising yet rooted in convention. Anyone who critiques her work as not being “sellable,” as many old-line retailers are wont to do with emerging labels these days, need only to look at the success of labels who have followed a similar trajectory, not just the Margielas of the world but also successful young brands like Bode, Collina Strada, and Vaquera.

There’s a certain amount of freedom that a designer of this ilk must subscribe to in order to fully hone their vision—a rebellious attitude that gives a kind of Cinderellian fantasy to banal materials and silhouettes. It’s a notion that, in various forms, was once pioneered by the likes of Philo and Jacobs, by Margiela and Adrover. But while Larsson has immense respect and admiration for those who came before her, she is firm in asserting her own path forward in fashion. “I am more of an analyst and a searcher, a tryer and a doer.”

Advertisement – Continue Reading Below

Nils Edstrom

She always starts with the material first, then lets an idea formulate organically once she starts cutting and draping. Sometimes she finds inspiration in the external world, too, like the short documentary she recently watched on television about the Swedish royal family’s clothing archive. Larsson also thinks about her past—her equestrian days, her old boyfriend who influenced her away from The Beatles and Tracy Chapman towards punk music—but her goal in self-referencing is to keep building on what she’s already done, constantly striving to make it better every time.

Advertisement – Continue Reading Below

That’s how house codes are built in great fashion labels, something many people in the business have forgotten as fashion keeps moving faster and the word luxury becomes less about the singular and more about the price tag. “For me, it’s fine to replicate a technique for several seasons and just be proud of that technique, do it in different ways, then show the possibilities of these techniques,” she said. “That’s one thing I always do: Look at the old work I’ve done, reflect on it, and then see what we could use moving forward.”

Larsson knows that there’s a challenging road ahead when it comes to scaling her business due to the rarity of her materials and her precious approach to craft, but she understands the value of balance and of remaining open to all possibilities, steadfast as her vision is. “I love being an entrepreneur, for real,” she said with a smile. “You have to just try things out, follow your gut feeling. I can’t be perfect with the first things I do and I’m not looking to be perfect.” She added, “It’s never an easy road, whether you’re building a house or making a shoe or if you’re cooking a dinner. You’re learning by doing and you have to enjoy the ride a little bit.”

Nils Edstrom

Advertisement – Continue Reading Below

Post-LVMH win, nothing has really changed for Larsson on a personal level. She may have more funding and more interest in her brand, as well as a new connection with industry icons willing to dole out hugs and admiration, but the reason Larsson’s star is so poised to keep rising is the tender, unpretentious belief she has in herself. She deserves everything that is coming to her because of her tremendous talent, but also because of the way she believes, in the purest of ways, that fashion isn’t just about wearing clothes but about progress and transformation. “I’m looking for a more creative, exciting, and curious world to be in,” she said. In Larsson’s world, boots may not be made for walking, but they are full of endless possibilities.

- A word from our sponsors -

spot_img

Most Popular

More from Author

Goldsun Media – Official Media Partner of Top 100 Business Style 2025

The Top 100 Business Style 2025 program has officially signed a...

Estephanie Ladignon: Resilient beauty and compassion spreading social inspiration

With a passionate heart and unwavering dedication to society, Estephanie Ladignon...

- A word from our sponsors -

spot_img

Read Now

Goldsun Media – Official Media Partner of Top 100 Business Style 2025

The Top 100 Business Style 2025 program has officially signed a media partnership with Goldsun Media, a leading outdoor advertising company in Vietnam. As the official media partner, Goldsun Media will enhance the program’s reach and visibility. With over three decades of growth and development, Goldsun Media has...

Cherry An Nhien: The precious gem of Vietnam children’s fashion on the international stage

Cherry An Nhien, one of Vietnam’s top child models today, has officially become a Global Ambassador for Global Junior Fashion Week 2025. From her very first steps on the runway, Cherry made a strong impression with her doll-like beauty and exceptional performance skills. Being chosen for this...

Estephanie Ladignon: Resilient beauty and compassion spreading social inspiration

With a passionate heart and unwavering dedication to society, Estephanie Ladignon – Miss Tourism Heritage Philippines 2023 stands out not only for her beauty and talent but also as a symbol of resilience and commitment to positive change. Beyond shining on the runway, she is a tireless...

Jansen Kenley See: The Filipino man’s journey of affirming his identity and influence

With a deep passion for fashion and sports, Jansen Kenley See has reached new heights in his modeling career, from being crowned Mister Friendship International Philippines to becoming a Global Ambassador for Global Student Fashion Week 2025 (GSFW). He is not only a symbol of confidence and...

The Vietnamese entrepreneur community gathering at the Top 100 International Business Style 2025 Commencement Ceremony

On the afternoon of March 26, more than 300 entrepreneurs and women leaders from various provinces gathered in Ho Chi Minh City to attend the commencement ceremony of the Top 100 International Business Style 2025 under the theme "Pioneers". The event not only marked the beginning of...

My Middle School Students Can’t Read!

These strategies for building foundational reading skills can help when students struggle with grade-level texts. It’s third period and a middle school math teacher has just asked me, an instructional coach, for classroom support, as her students are struggling to meet behavior expectations. Over the 47-minute class period,...

Using Weekly Routines to Build Speaking Skills

These six strategies guide students to build confidence in their speaking skills through low-stakes, highly engaging discussions. The week after Super Bowl LIX, my students came to class greeted by images of Saquon Barkley and Cooper DeJean. Realizing the topic of our “daily check-in,” they took their seats...

3 Strategies for Asking Better Questions

As a high school English teacher, I see it all the time: A student stares at their paper, pencil hovering above the page. “I don’t know what to write,” they say. When I ask, “What do you want to communicate?” they shrug. But when I shift the...

The Science of Student Motivation

Noted author and psychologist David Yeager on the common mistakes we make when giving feedback to students, and how to tap into purpose and belonging to make classroom work more meaningful. David Yeager will never forget his first year of teaching middle school. Eager to make a difference...

Your Student Finished Early—Now What?

In every class, there’s always that student who finishes at warp speed—requiring you to figure out how to redirect one restless learner while the rest are still mid-task. How can you create flexible routines that keep speed racers engaged without your constant intervention? Whether you’re in an elementary,...

The Joys of Subbing for Another Principal

School leaders are busy. Between managing daily operations, strategic planning, district meetings, and community engagement, stepping away from the building often feels impossible. Most districts do not have a system of subbing for principals, which adds another layer of challenges. When a leader steps away, it’s more than...

How Letting Go of Perfectionism Made Me a Better Teacher

I used to believe that great teaching meant having everything under control. My lessons had to be airtight, my grading meticulous, and my students’ success—or failure—felt like a direct reflection of my competence. I stayed up late fine-tuning lesson plans, rewriting feedback, and making sure that every...