HomeEducationThis Native American Heritage...

This Native American Heritage Month, We Must Confront Our Nation’s Violence

3 recommendations for teachers and school leaders

Tim Miller

Tim Miller is a New York City public elementary school principal and a post-doctoral research fellow at the University of Pennsylvania.

November is Native American Heritage Month, a tribute dating back to a 1990 presidential proclamation by President George H.W. Bush to recognize the rich history and culture of Indigenous peoples in the United States. The month affords K-12 educators an opportunity to illuminate the varied Indigenous ways of knowing and being.
It also offers an on-ramp for educators to develop year-round curricula that guide students in critical evaluation of the United States as a settler colonial state, which is defined as a state that displaces Indigenous peoples and establishes a permanent society of settlers. Schools must play a role in this reckoning to help students make sense of the physical and psychological violence that has burrowed into our national identity.
It is clear to me as an elementary school principal and researcher of decolonizing educational leadership that U.S. public schools have a tendency to avoid honest examinations of our national history.
I once observed a class in which a new district-mandated reading curriculum prompted students to respond to the question, “What character traits were needed in people who settled the West?” Students were given time to organize their thinking on Post-it notes before placing them on an interactive thinking map under the categories “not easily discouraged,” “hardworking,” and “courageous.”
The lesson exemplified how some elementary-level social studies and reading curricula casually celebrate “Westward Expansion” through the one-sided colonial narrative of white pioneers. Indigenous peoples are often dehumanized, commonly either denigrated as terrorizing threats to settlers’ total freedom to acquire land and wealth or romanticized as “noble savages.” Missing are Native American perspectives on the seizure of their land, their removal to reservations, and their resistance to genocide.
Secondary-level humanities and U.S. history curricula also aid and abet this suppression. All too often, middle and high school curricula emphasize upbeat multiculturalism and unquestionably propagate grand myths of American exceptionalism, our manifest destiny to usurp land, and our ordained responsibility to keep order in the world.
The unit containing the exercise I observed was cut by central offices the next school year—a decision that had more to do with aligning sequence and pacing to standards than with the troubling thematic content.
And therein lies the problem: The content we teach—including the full history of the United States for better or for worse—should be every bit as important as the reading skills and standards students need to learn. The precise nature of what we teach in public education, as well as what we don’t teach, will either sustain our collective amnesia or wake Americans up to our collective responsibility for addressing injustice—past, present, and future.
Presenting students with a fuller, authentic account of U.S. history is, admittedly, no easy task. Curricular companies do not always prioritize historically accurate content, and teachers with preciously limited time will likely struggle to curate their own. District-mandated curricula that place standardization ahead of the needs of local communities also impose barriers.
I found this out years ago after leading efforts in my school to modify our reading and writing units in culturally responsive and sustaining ways. Teachers spent evenings and weekends compiling resources that represented the various ethnic, linguistic, and historical backgrounds of our school community—only to have the work overhauled with a new districtwide, uniformly mandated reading program.
It is imperative that we advocate greater self-determination that would allow local school communities to cut through standardized curricula.
In the meantime, however, there are some steps teachers and school leaders can take in their own classrooms and schools. Here are a few simple suggestions to begin the long work of decolonizing biased or factually inaccurate content we offer students:

  1. Familiarize yourself with our settler-colonial history. Pay attention to how public education itself has a history of reinforcing long-standing patterns of power, including colonialism, capitalism, imperialism, racism, and sexism. (The resource box below is a great place to start.)
  2. Interrogate textbooks, publisher-produced curricula, and other resources. Look for content that faces historical reality honestly without obscuring Indigenous narratives. School and district leadership must ensure that skilled teams are put together and time is allocated to do this probing work. The Transformational Indigenous Praxis Model developed by Cornel D. Pewewardy, Anna Lees, and Hyuny Clark-Shim is one excellent framework to get started.
  3. Teach historical content through exposure, rather than through indoctrination. That means encouraging students to grapple with competing ideas about the world, not simply presenting them with a select group of ideas in exclusion to others. This can be done by coupling two versions of a story or pairing opposing ideas or texts and then allowing students time for discourse to dissect the nuances of each account. Setting up students for civic dialogue promotes listening, critical reflection, and collaborative decision making, all of which are decolonizing pedagogical moves that challenge traditional power dynamics including top-down communication and hegemonically imposed uniformity of thinking.

Teaching the full history of the United States in K-12 classrooms offers an opportunity to remember and celebrate the achievements of Indigenous peoples and the perseverance of their cultures all year long, rather than tokenizing these explorations once a year during Native American Heritage Month. Curricular evasions of truth sustain blissful ignorance, allowing for those at the top of the U.S. racial and class hierarchy to enjoy their privilege without acknowledging its basis in exploitation.
If we can truly confront the significance of our country’s settler colonial origins, future generations will be better positioned to dismantle ongoing systems of oppression in the United States.

Nguồn: [Education Week][https://www.edweek.org/teaching-learning/opinion-this-native-american-heritage-month-we-must-confront-our-nations-violence/2024/11] 

 

- A word from our sponsors -

spot_img

Most Popular

More from Author

A new “dream” launched by designer Luc Gia Nhat at Vietnam NextGen Fashion Era 2

With the collection “Mot Giac Mong” (A Dreamlike Reverie), designer Luc...

Philippines explores new export opportunities at BRICS+ Fashion Summit in Moscow

The BRICS+ Fashion Summit – the Fashion Business Forum of Fast-Growing...

- A word from our sponsors -

spot_img

Read Now

A new “dream” launched by designer Luc Gia Nhat at Vietnam NextGen Fashion Era 2

With the collection “Mot Giac Mong” (A Dreamlike Reverie), designer Luc Gia Nhat explores the personal aspirations that persist beneath the rhythms of everyday life. Drawing on the ideas of dreams and individual choices, the designer translates emotions into silhouettes, movement, and a distinctive fashion language. The...

Designer Tran Anh Khoa’s “A Oi” collection taking motherhood to the runway

As part of the Grand Fashion Show – VNGF Era 2, designer Tran Anh Khoa presents the collection “A oi,” inspired by the song “Me yeu con” by composer Nguyen Van Ty. Tracing the journey from childhood memories to the changes that accompany growing up, the collection...

A Spectacular Showcase: Astana Takes Center Stage as World Designers Fashion Week 2026 Kicks Off

13 Designers Take Center Stage on Day 1, Celebrating Global Creativity, Cultural Diversity, and Fashion Beyond Borders ASTANA, KAZAKHSTAN | October 23, 2026 — World Designers Fashion Week 2026 officially opened its first day at the iconic Palace of Peace and Reconciliation in Astana, Kazakhstan, bringing together international...

Philippines explores new export opportunities at BRICS+ Fashion Summit in Moscow

The BRICS+ Fashion Summit – the Fashion Business Forum of Fast-Growing Economies and an accredited BRICS event – has concluded in Moscow. From September 28 to 30, hundreds of speakers from more than 60 countries took part in its sessions. Over several days of intensive meetings and...

Nam Cat Tien forest with a magnificent inspiration for Vietnam’s Miss Global 2026 representative

Vietnamese representative Tran Huyen Trang has officially unveiled her National Costume, titled “Ngoc Luc Khong Tuoc” (Emerald Peacock), created by designers Ho Hoang Nhan and Thuan Le, as part of her journey at Miss Global 2026. Inspired by the beauty of the Indochinese green peafowl and the...

Strutting to success: Bell Tran Dai Quang’s another award in Manila

Recently, the 9th Philippine Fashion Summit Awards officially took place at The Podium Hall, Ortigas Center, Mandaluyong City. At this regional-scale awards ceremony, child model Tran Dai Quang (Bell) proudly received the Best International Model Kids 2026 award from the organizers. Alongside the formal award presentation, the...

KM/A: Reimagining urban life with haute couture

Making full use of the durability of streetwear-inspired woven fabrics, KM/A’s latest collection in Austria made a strong impression with oversized quilted denim jackets featuring hoods and large box pockets, paired with matching loose straight-leg trousers. The fashion house demonstrated its sharp tailoring skills by reimagining office...

Scratch and flick: Dreizehn’s spectacular impressions for the great runway

As part of the MuseumsQuartier Artist-in-Residence (AiR des MQ) project, the Dreizehn brand officially unveiled its latest collection on the evening of September 16 at the Halle E + G exhibition hall. The collection offered a fresh experimental perspective on ready-to-wear fashion through a modern Gothic aesthetic...

Milan magic: Vietnamese youths taking on away turf in a leading fashion kingdom

Originating from days spent wandering through the magnificent beauty of Milan and the romantic landscapes of Venice, two young creatives in their twenties—designer Namie Trinh and producer Nguyen Thi Hien Thao—came together to lay the foundation for an ambitious fashion project. The result of their sustained hard...

Impression from simplicity: Pastel and silk rising to the occasion for NICHP

As part of the DITP Thailand promotional program on the evening of September 17, NICHP officially unveiled its latest high-end womenswear collection at the MuseumsQuartier runway venue. The presentation made a strong impression through its flowing wave-like pleating techniques, sweet pastel palette, and the interplay between sophisticated...

Grünschnabel & Gänseblümchen: A new breeze for the sacred Drindl

On the evening of September 19, the Grünschnabel & Gänseblümchen brand brought a series of designs inspired by traditional Alpine folk costumes to the MuseumsQuartier runway. The presentation made a strong impression by transforming the classic Dirndl dress into youthful streetwear, combining vibrant checkered patterns with modern...

Inside “1001 Nights”: The Persian-Inspired Show That Captivated Vienna Fashion Week

On the afternoon of September 15, 2026, Vienna Fashion Week welcomed 1001 Nights, a runway presentation by designer Atena Neuhuber. Created alongside 26 fellow designers of Iranian heritage, the show used fashion as a way to tell a story of resilience and hope. Persian cultural symbols met...