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Vietnamese brand Thoa Tran to bring Hanoi floral seasons to GFW All Stars 2026

Luxury fashion label Thoa Tran has officially confirmed its participation in Global Fashion Week All Stars 2026, which will take place at the end of July. At this prestigious runway event in Vietnam’s capital, the fashion house will unveil its latest collection, “Hoa Ha Noi” (Flowers of Hanoi). Inspired by the richness of Vietnam’s traditional cultural heritage, the collection promises to create an atmosphere of elegance and artistic refinement for audiences. The event is also expected to open up valuable opportunities for professional collaboration and commercial partnerships with both domestic and international partners.

GFW All Stars 2026: International-caliber rendezvous in the thousand-year-old capital

Originally launched in 2018 as Vietnam International Junior Fashion Week, the event has evolved over eight years into Global Fashion Week All Stars 2026, an international fashion week operating under an integrated platform. This global fashion ecosystem brings together three major creative communities within the industry: All Stars, Junior, and Student. In 2026, Vietnam will serve as the host nation, marking a significant milestone in the country’s journey toward becoming a new hub for Asia’s creative industries.

The event will be held on the main stage of the Vietnam Exposition Center (VEC), one of Southeast Asia’s largest exhibition and event complexes. One of this year’s defining features is its highly adaptable stage system, which will be reconfigured each day through changes in spatial layout, runway design, and lighting concepts. This innovative approach creates a distinct presentation environment for every show, offering audiences a fresh and unique experience throughout the four-day fashion week.

Featuring more than 30 fashion brands and designers, alongside hundreds of beauty queens, kings, models, and international guests, the program is positioned as one of the flagship fashion highlights of Vietnam Event & Exhibition Week 2026 (VEEW 2026). Held under the professional endorsement of the International Modeling Association (IMA), the event serves as a platform where fashion, culture, entertainment, and international business converge. Through a wide range of activities before, during, and after the event, Global Fashion Week All Stars 2026 is expected to make a meaningful contribution to the continued growth of the fashion industry.

Delving into the roots in a new collection

At Global Fashion Week All Stars 2026, Thoa Tran will unveil its latest collection, “Hoa Ha Noi” (Flowers of Hanoi). The collection draws inspiration from the timeless elegance and rich cultural heritage of Vietnam’s thousand-year-old capital. For the fashion house, Hanoi is a place where cherished memories, enduring traditions, and the distinctive beauty of Vietnamese identity are preserved. A recurring design element throughout the collection is an interconnected chain-link motif. Beyond serving as a visual textile technique, it symbolizes the bonds between people, the connection between past and present, and the unity of Vietnam’s regions and 54 ethnic groups, all of which contribute to the nation’s cultural identity.

The centerpiece of the collection is a design inspired by the lotus, a flower long regarded as a symbol of purity, Vietnamese cultural identity, and the national spirit. The lotus has also become a defining signature of Designer Thoa Tran, whose previous lotus-themed collection was recognized with a Vietnam Record. One of the collection’s most striking moments will feature five models joining together to form a fully blossomed lotus on the runway, celebrating the beauty of unity, Vietnam’s cultural heritage, and the aspiration to spread positive values throughout the community. Through “Hoa Ha Noi,” Designer Thoa Tran hopes to introduce both domestic and international audiences to a Hanoi blooming with flowers and a Vietnam rich in cultural identity. The collection also expresses her heartfelt wish that the lotus—cherished and admired by generations of Vietnamese people—will one day be officially recognized as Vietnam’s national flower.

Presenting this collection at Global Fashion Week All Stars 2026 offers the fashion house an opportunity to bring Vietnamese cultural values closer to international audiences while fostering new professional collaborations. It also serves as a source of inspiration for young designers and students pursuing creative careers. Following the event this July, the brand plans to launch additional collections while continuing to expand its training programs to help develop the next generation of talent for Vietnam’s garment and fashion industry.

Form optimization donned in high-end techniques

Thoa Tran has carved out a distinctive position in the fashion industry through its luxury designs deeply rooted in Vietnamese heritage, with a particular focus on artistic ÃĄo dài and evening gowns. Every creation reflects the brand’s commitment to preserving traditional cultural values through a contemporary design language. This creative direction allows its collections to retain a strong national identity while seamlessly integrating into the global fashion landscape. The fashion house believes that a truly beautiful design should tell a story, convey meaningful values, and inspire pride in the person wearing it. For the brand, fashion achieves lasting significance when it resonates emotionally and serves as a vehicle for preserving cultural heritage.

Throughout the creative process, the design team devotes considerable attention to studying body proportions, garment construction, fabric selection, and the overall wearing experience. Every cut and embellishment is carefully considered to complement the design as a whole, eliminating unnecessary complexity in favor of highlighting the natural beauty and individuality of each woman. This design philosophy enables each piece to make a striking impression on the runway while maintaining the elegance, comfort, and wearability needed for everyday and special-occasion use.

Professional experience for young designers

Beyond leading the fashion house as its creative director, the founder also works as an educator in fashion design and etiquette training. For the brand, fashion and etiquette are complementary values: one shapes outward beauty, while the other cultivates character, refinement, and cultural awareness. This philosophy has enabled the fashion house to integrate its commercial activities with education, nurturing the next generation of professionals with strong technical expertise and a deep appreciation for craftsmanship.

In response to the rapidly evolving fashion and garment industry, the brand has deliberately chosen a slow and meticulous approach to growth, prioritizing technical excellence and product quality over rapid expansion. Insights gained through its training programs also serve as a foundation for sharing positive values with the wider community. The fashion house believes that a brand earns lasting recognition not only through its creations but also through the meaningful impact it brings to society.

Drawing from years of practical experience, the brand’s founder encourages aspiring designers and students to cultivate a strong aesthetic vision, master the fundamentals of pattern making and garment construction, and maintain discipline throughout their creative journey. She believes that confidently preserving Vietnamese cultural identity within every design will enable local fashion to establish a distinctive presence on the global stage. The brand’s participation in Global Fashion Week All Stars 2026 in Hanoi is expected to provide valuable professional experiences while laying the foundation for its next stage of growth.

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āļ„āđˆāļģāļ„āļ·āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ‚āļĨāļāļ­āļ­āļĨāļŠāļ•āļēāļĢāđŒāļŠ 2026 (Global Fashion Week All Stars 2026 – GFWAS 2026) āļ āļēāļĒāđƒāļ•āđ‰āļ˜āļĩāļĄ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ€āļĒāļēāļ§āļŠāļ™āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ (Global Junior Fashion Week) āđ„āļ”āđ‰āļ›āļīāļ”āļ‰āļēāļāļĨāļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒ āļ“ āļĻāļđāļ™āļĒāđŒāļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđ€āļ§āļĩāļĒāļ”āļ™āļēāļĄ (Vietnam Exhibition Center – VEC) āļāļĢāļļāļ‡āļŪāļēāļ™āļ­āļĒ āļ‡āļēāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļĢāļ§āļšāļĢāļ§āļĄāđāļšāļĢāļ™āļ”āđŒāđāļŸāļŠāļąāđˆāļ™āļŠāļąāđ‰āļ™āļ™āļģāļˆāļēāļāļ™āļēāļ™āļēāļ›āļĢāļ°āđ€āļ—āļĻ āļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāļ™āļēāļĒāđāļšāļšāđāļĨāļ°āļ™āļēāļ‡āđāļšāļšāđ€āļ”āđ‡āļāļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļĄāļĩāļĻāļąāļāļĒāļ āļēāļžāļˆāļēāļāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ›āļĢāļ°āđ€āļ—āļĻ āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™ āđ€āļˆāļīāđˆāļ™ āļ”āļąāđˆāļĒ āļāļ§āļēāļ‡ āļŦāļĢāļ·āļ­ āđ€āļšāļĨāļĨāđŒ (Bell) āļ§āļąāļĒ 5 āļ›āļĩ āļ›āļĢāļēāļāļāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļŠāļģāļ„āļąāļāļŦāļĨāļēāļĒāļŠāđˆāļ§āļ‡āļ‚āļ­āļ‡āļ‡āļēāļ™ āļžāļĢāđ‰āļ­āļĄāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļœāđˆāļēāļ™āđāļ•āđˆāļĨāļ°āļ„āļ­āļĨāđ€āļĨāļāļŠāļąāļ™ āđāļĨāļ°āļ•āļ­āļāļĒāđ‰āļģāļĻāļąāļāļĒāļ āļēāļžāļ‚āļ­āļ‡āđ€āļ‚āļēāļšāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļĻāļīāļĨāļ›āļ°āđƒāļ™āļ­āļ™āļēāļ„āļ•. āđ€āļ§āļ—āļĩāđ€āļ›āļīāļ”āļ‡āļēāļ™āļ­āļąāļ™āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆ āļžāļĢāđ‰āļ­āļĄāļŠāļēāļĢāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļ„āđˆāļģāļ„āļ·āļ™āđāļŦāđˆāļ‡āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‰āļēāļāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļ­āļĒāđˆāļēāļ‡āļ›āļĢāļ°āļ“āļĩāļ•āđƒāļ™āļŠāļ·āđˆāļ­ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļĢāļąāļšāđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļāļ„āļ§āļēāļĄāļĢāļąāļ āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™...

āđ‚āļ‹āļŸāļĩ āđ€āļŦāļĄāļīāļ™ āļāļĩ āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļœāļđāđ‰āļŠāļ‡āđˆāļēāļ‡āļēāļĄāđƒāļ™āļŠāļļāļ”āļŠāļĩāļ—āļ­āļ‡āļˆāļēāļ BADBISS

āļ‡āļēāļ™ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ‚āļĨāļāļ­āļ­āļĨāļŠāļ•āļēāļĢāđŒāļŠ 2026 (Global Fashion Week All Stars 2026 – GFWAS 2026) āđ„āļ”āđ‰āļĢāļ§āļšāļĢāļ§āļĄāļ™āļēāļ‡āđāļšāļšāđāļĨāļ°āļ™āļēāļĒāđāļšāļšāļ™āļąāļšāļĢāđ‰āļ­āļĒāļ„āļ™ āļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāđāļšāļĢāļ™āļ”āđŒāđāļŸāļŠāļąāđˆāļ™āļŠāļąāđ‰āļ™āļ™āļģāļĄāļēāļāļĄāļēāļĒ āļ•āļ­āļāļĒāđ‰āļģāļŠāļ–āļēāļ™āļ°āļ‚āļ­āļ‡āđ€āļ§āļ—āļĩāļĻāļīāļĨāļ›āļ°āđāļĨāļ°āđāļŸāļŠāļąāđˆāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđƒāļ™āļ„āđˆāļģāļ„āļ·āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ§āļąāļ™āļ—āļĩāđˆ 1 āļŠāļīāļ‡āļŦāļēāļ„āļĄ āļāļēāļĢāļ›āļĢāļēāļāļāļ•āļąāļ§āļ‚āļ­āļ‡ āđ‚āļ‹āļŸāļĩ āđ€āļŦāļĄāļīāļ™ āļāļĩ āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™ āđ„āļ”āđ‰āļ™āļģāļ„āļ§āļēāļĄāļŠāļ”āđƒāļŠāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļĄāļēāļŠāļđāđˆāđ€āļ§āļ—āļĩ āđ€āļ˜āļ­āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ›āļīāļ”āļāļēāļĢāđāļŠāļ”āļ‡āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āđāļĨāļ°āđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļ­āļĒāđˆāļēāļ‡āļĄāļąāđˆāļ™āđƒāļˆāļšāļ™āļĢāļąāļ™āđ€āļ§āļĒāđŒāļāļĨāļēāļ‡āđƒāļ™āļŠāļļāļ”āļŠāļļāļ”āļŦāļĢāļđāļˆāļēāļāđāļšāļĢāļ™āļ”āđŒ BADBISS. āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‡āļēāļ™āļ­āļąāļ™āđ€āļ›āļĩāđˆāļĒāļĄāļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒ āļ–āđˆāļēāļĒāļ—āļ­āļ”āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļ„āđˆāļģāļ„āļ·āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āđ€āļ›āļīāļ”āļ‰āļēāļāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āđƒāļ™āļŠāļ·āđˆāļ­ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‹āļķāđˆāļ‡āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļēāļĢāļ­āļąāļ™āļĨāļķāļāļ‹āļķāđ‰āļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ„āļ§āļēāļĄāļĢāļąāļ āļ„āļ§āļēāļĄāļ­āļšāļ­āļļāđˆāļ™ āđāļĨāļ°āļŠāļēāļĒāđƒāļĒāđāļŦāđˆāļ‡āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļšāļ—āļšāļĢāļĢāļĒāļēāļĒāļŠāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļē āļ—āļļāļāļĒāđˆāļēāļ‡āļāđ‰āļēāļ§āļ‚āļ­āļ‡āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āļ‚āļ­āļ‡āđ€āļ”āđ‡āļ āđ† āļĨāđ‰āļ§āļ™āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļŦāļĨāđˆāļ­āđ€āļĨāļĩāđ‰āļĒāļ‡āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļĄāļąāđˆāļ™āđāļĨāļ°āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļˆāļēāļāļ„āļ™āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āđ€āļ§āļ—āļĩāđāļŸāļŠāļąāđˆāļ™āļˆāļķāļ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļ„āļ™āļ•āđˆāļēāļ‡āļ§āļąāļĒāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āļ—āļĩāđˆāļ‹āļķāđˆāļ‡āļ—āļļāļāļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāđāļŦāđˆāļ‡āļāļēāļĢāđāļšāđˆāļ‡āļ›āļąāļ™āđ„āļ”āđ‰āļŠāđˆāļ‡āļ•āđˆāļ­āļāļģāļĨāļąāļ‡āđƒāļˆāđƒāļŦāđ‰āļ—āļļāļāļ„āļ§āļēāļĄāļāļąāļ™āđ€āļ•āļīāļšāđ‚āļ•āđāļĨāļ°āđ‚āļšāļĒāļšāļīāļ™āđ„āļāļĨ. āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‡āļēāļ™āļŠāļļāļ”āļžāļīāđ€āļĻāļĐāļ™āļĩāđ‰ āđ‚āļ‹āļŸāļĩ āđ€āļŦāļĄāļīāļ™ āļāļĩ āļāđ‰āļēāļ§āđ€āļ”āļīāļ™āļšāļ™āđāļ„āļ•āļ§āļ­āļĨāđŒāļāđ€āļ„āļĩāļĒāļ‡āļ‚āđ‰āļēāļ‡āļ„āļ“āļ°āļ™āļąāļāđ€āļ•āđ‰āļ™āļˆāļēāļ āļŠāļĄāļĢāļĄāđāļŠāļ‡āļ­āļĢāļļāļ“ āđāļĄāđ‰āđ€āļ˜āļ­āļˆāļ°āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ”āđˆāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļāļēāļĢāđāļŠāļ”āļ‡ āđāļ•āđˆāđ€āļ˜āļ­āļāļĨāļąāļšāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™āļāļąāļšāļāļēāļĢāđ€āļ”āļīāļ™āđāļšāļšāļ­āļĒāđˆāļēāļ‡āļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāļĄāļēāļāļāļ§āđˆāļēāļāļēāļĢāđāļŠāļ”āļ‡āļ—āđˆāļēāđ€āļ•āđ‰āļ™ āļŠāļĩāļŦāļ™āđ‰āļēāļ—āļĩāđˆāļŠāļļāļ‚āļļāļĄāđāļĨāļ°āļ”āļ§āļ‡āļ•āļēāļ—āļĩāđˆāđ€āļ›āļĨāđˆāļ‡āļ›āļĢāļ°āļāļēāļĒāļ—āļģāđƒāļŦāđ‰āļ™āļēāļ‡āđāļšāļšāđ€āļ”āđ‡āļāļ§āļąāļĒ...

āļ­āļēāļĨāļĩāļ™āļēāđ€āļĨāđ‚āļŠāļ§āđŒāđ€āļŠāļ™āđˆāļŦāđŒāļ­āļąāļ™āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļœāđˆāļēāļ™āļŠāļ­āļ‡āļ„āļ­āļĨāđ€āļĨāļāļŠāļąāļ™āļ­āļąāļ™āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āđƒāļ™āļ‡āļēāļ™āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ‚āļĨāļāļ­āļ­āļĨāļŠāļ•āļēāļĢāđŒāļŠ 2026 (Global Fashion Week All Stars 2026 – GFWAS 2026)

āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ­āļąāļ™āļŠāļ‡āđˆāļēāļ‡āļēāļĄāļ‚āļ­āļ‡ āļŠāļąāļ›āļ”āļēāļŦāđŒāđāļŸāļŠāļąāđˆāļ™āđ€āļĒāļēāļ§āļŠāļ™āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ 2026 (Global Junior Fashion Week 2026) āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ›āļīāļ”āļ‡āļēāļ™āđƒāļ™āļŠāļļāāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ‰āļēāļāļ„āđˆāļģāļ„āļ·āļ™āđāļŦāđˆāļ‡āļĻāļīāļĨāļ›āļ°āđāļĨāļ°āđāļŸāļŠāļąāđˆāļ™āļ­āļąāļ™āđ€āļ›āļĩāđˆāļĒāļĄāļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒāļ“āļĻāļđāļ™āļĒāđŒāļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđ€āļ§āļĩāļĒāļ”āļ™āļēāļĄ (Vietnam Exhibition Center – VEC) āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™ āļ­āļēāļĨāļĩāļ™āļē āđ€āļĨ āļ›āļĢāļēāļāļāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āđ‚āļ”āļ”āđ€āļ”āđˆāļ™ āļ“ āļ•āļģāđāļŦāļ™āđˆāļ‡āļāļķāđˆāļ‡āļāļĨāļēāļ‡āđ€āļ§āļ—āļĩ āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļēāļĢāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļœāļđāļāļžāļąāļ™āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āļˆāļēāļāļ™āļąāđ‰āļ™ āļ™āļēāļ‡āđāļšāļšāđ€āļ”āđ‡āļāļĢāļēāļĒāļ™āļĩāđ‰āļĒāļąāļ‡āļ„āļ‡āļ„āļĢāļ­āļ‡āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļšāļ™āđāļ„āļ•āļ§āļ­āļĨāđŒāļāļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļœāđˆāļēāļ™āļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļœāļĨāļ‡āļēāļ™āļˆāļēāļāļŠāļ­āļ‡āđāļšāļĢāļ™āļ”āđŒāļŠāļąāđ‰āļ™āļ™āļģ āđ„āļ”āđ‰āđāļāđˆ BADBISS āđāļĨāļ° Sarang Hanbok āļšāļļāļ„āļĨāļīāļāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđāļĨāļ°āļ—āļąāļāļĐāļ°āļāļēāļĢāđ€āļ”āļīāļ™āđāļšāļšāļ­āļąāļ™āļĄāļąāđˆāļ™āđƒāļˆāļ‚āļ­āļ‡āđ€āļ”āđ‡āļāļŦāļāļīāļ‡āļ§āļąāļĒ 8 āļ›āļĩ āļ—āļģāđƒāļŦāđ‰āđ€āļ˜āļ­āļŠāļēāļĄāļēāļĢāļ–āļĢāļąāļāļĐāļēāđ€āļŠāļ™āđˆāļŦāđŒāđāļĨāļ°āļ”āļķāļ‡āļ”āļđāļ”āļ—āļļāļāļŠāļēāļĒāļ•āļēāļ•āļĨāļ­āļ”āļ—āļąāđ‰āļ‡āļ‡āļēāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄ. āđ€āļ›āļīāļ”āđ€āļ§āļ—āļĩāļ­āļĒāđˆāļēāļ‡āļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđƒāļ™āļŠāļļāļ”āļāļēāļĢāđāļŠāļ”āļ‡ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‡āļēāļ™āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āđƒāļ™āļŠāļ·āđˆāļ­ â€œāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ”āļ§āļ‡āļ”āļēāļ§â€ āļ‹āļķāđˆāļ‡āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļēāļĢāļ­āļąāļ™āļĨāļķāļāļ‹āļķāđ‰āļ‡āđ€āļžāļ·āđˆāļ­āđ€āļŠāļīāļ”āļŠāļđāļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļąāļāđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āđāļĨāļ°āļ•āļ­āļāļĒāđ‰āļģāļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ„āļ™āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđƒāļ™āļāļēāļĢāļ„āļ­āļĒāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđāļĨāļ°āļŦāļĨāđˆāļ­āđ€āļĨāļĩāđ‰āļĒāļ‡āļ„āļ§āļēāļĄāļāļąāļ™āđƒāļ™āļ§āļąāļĒāđ€āļĒāļēāļ§āđŒ āļˆāļąāļ‡āļŦāļ§āļ°āļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļœāļŠāļēāļ™āđ€āļ‚āđ‰āļēāļāļąāļšāļāļēāļĢāđāļŠāļ”āļ‡āļ‚āļ­āļ‡āļ™āļąāļāđ€āļ•āđ‰āļ™āļˆāļēāļ āļŠāļĄāļĢāļĄāđāļŠāļ‡āļ­āļĢāļļāļ“ āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļšāļĢāļĢāļĒāļēāļāļēāļĻāđāļŦāđˆāļ‡āļĻāļīāļĨāļ›āļ°āļ—āļĩāđˆāļŠāļ‡āđˆāļēāļ‡āļēāļĄāđāļĨāļ°āđ€āļ›āļĩāđˆāļĒāļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ­āļēāļĢāļĄāļ“āđŒāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ. āđƒāļ™āļāļēāļ™āļ° āļ—āļđāļ•āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™ āļ­āļēāļĨāļĩāļ™āļē āđ€āļĨ āļ›āļĢāļēāļāļāļ•āļąāļ§ āļ“ āļ•āļģāđāļŦāļ™āđˆāļ‡āļāļķāđˆāļ‡āļāļĨāļēāļ‡āđ€āļ§āļ—āļĩāđ€āļžāļ·āđˆāļ­āđ€āļ”āļīāļ™āđāļšāļšāđ€āļ›āļīāļ”āļāļēāļĢāđāļŠāļ”āļ‡...

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